Anthology: Behind the Scenes

By David Moye

For many entertainers who play at Anthology, the job doesn’t begin or end with the onstage performance – there’s pre-show publicity that needs to be done.

Sometimes, this means a phone interview with a newspaper like the San Diego Union-Tribune, or a weekly like Citybeat or the Reader; or with a radio station.

Other times, a TV appearance is in order.

Once in a while, a LOT of TV appearances are in order all shoved in one right after the other.

That’s how it happened with comedian Paula Poundstone on July 27.

As media person for Anthology, I had five requests from the local TV stations from nice, gracious TV producers hoping to book Paula for an appearance on their fine stations.

I’ll be honest: When it comes to the media, I’m no hard-ass. If I can help them, I will.

But to do it, I needed the help of Paula’s PR staff and Paula herself.

You may not realize this, but the majority of the morning newscasts are filmed in the morning. This means that not only the newscasters, camera crew, producers, and news writers have to get up very early in the morning – and so do their guests.

Meanwhile, comedy performers work at night and, as a result, have been trained to be night owls.

Despite this timely problem, Paula was gracious enough to agree to drive down from Los Angeles at 3 a.m. in order to do a day of TV appearances three days before her show.

“She doesn’t usually do this,” said her personal publicist, who has the booking routine down to a science. “But she loves Anthology.”

I am grateful.

I am also worried. As a believer in karma and reincarnation, I wonder how early Paula will make me get up in our next lives together.

Paula’s crack publicist makes sure the producers have talking points.

These are suggested topics that give the media something to form an interview around. Because Paula is a gifted comedienne, it’s usually a matter of giving her something to riff on.

However, Paula is a big supporter of libraries and with the new downtown library getting ready to break down, this is a natural way to allow her to talk about something near and dear to her heart and also about local interest.

But I am getting ahead of myself.

The interviews have been set for a week – and so have the arrival times and segment times, but things change at one station at the last minute, requiring some juggling. But that’s PR in general – you learn to live in chaos. That’s why when college students ask me, “How do I prepare for a career in PR?” I always say, “Grow up in a dysfunctional family and learn to apologize for things that aren’t your fault.”

So it’s morning, the day of the media onslaught: Four interviews on three stations in 3 hours. I get up at 5 in order to make it to KUSI by 6 a.m.

Paula and her driver, a circus contortionist moonlighting as a driver, are waiting in the parking lot. Paula is asleep in the front seat. We wake her up gently, and she is justifiably tired.

Still, professional that she is, she sucks down a Diet Pepsi, goes to the station’s bathroom to do her hair and comes out ready for the segment.

She speaks with David Davis about libraries, the show (great plug for the club) and gets some jokes in about the many news trucks in the KUSI parking lot.

“I’ve never seen so many,” she says. “You must have a lot of news.”

But while she is adept on current events, Davis brings up one item she was unaware of: The fact she’s doing two shows.

“That’s news to me, but that’s great,” she says.

After the interview is over, Paula gives back the mini microphone attached to her body and we drive to Fox 5. We take separate cars for flexibility and also because I am a terrible driver and don’t feel that killing a performer at Anthology would be good for my career.

I’m funny that way.

So we get to Fox 5 (not that hard, it’s about 10 minutes up the street) and let Paula sleep in the car for 45 minutes while I talk with her driver about the job prospects of working in a circus. Amazingly, we have mutual acquaintances since she tried out for Il Circo, the circus that played Anthology back in June.

Small word, isn’t it?

So it’s time to get Paula up and when she wakes, she downs another Diet Pepsi and comes into the Green Room to wait for her segment.

One of the things about the Green Room – it isn’t really green.

She watches the Fox 5 news and is especially fascinated by the woman who precedes her on screen, a doctor specializing in sex who discusses a male contraceptive that may one day come on the market. Oh, but there’s a slight side effect: weight gain.

“I don’t think that’s a slight side effect,” Paula says to begin her interview. During her segment, she also makes fun of Floatopia’s founders by saying, “Of course, people may still get together to float and they’ll say, ‘It was never about the alcohol. That was just something they did for fun.”

At one point, the interviewer, Chrissy Russo, asks Paula why she didn’t get any sleep last night.

Paula politely reminds her: “Because I had to get here this morning.”

The funniest moment may be at the end when Russo tells viewers to go to “Fox5SanDiego.com for more information” and Paula says, “You don’t articulate very well. That must drive your bosses nuts. You say it breathy in that escort kind of way.”

Naturally, the crew is in hysterics.

Afterwards, they pay Paula the highest compliment they can give a guest. They want pictures, pictures, pictures.

Meanwhile, I am trying not to be the bad guy, but we got to move move move. We are due at San Diego 6 in 10 minutes and it’s at least a 5-minute drive.

Whew! We make it just in time.

To wait.

That’s kind of what happens. The producers at morning shows like you to get there early so they don’t have to worry, but then they make you wait.

Paula has a special affection for San Diego 6 – although I’m sure she loves all the stations.

However, last year when she performed at Anthology, she did a segment at San Diego 6 right before a woman brought two cats for a pet adoption segment.

Paula took those two cats home with her.

Amazingly, the woman who brought the cats is here at the studio again. This time she has a dog, but Paula decides to give one of the viewers a chance to nab it.

She does two segments: One is a straighter interview on the morning show and the other is a segment on San Diego Living, which is lighter and, as host Marc Bailey tells her, “We’re not doing news now so we can talk about anything.”

Paula jumps onto a tease about a segment with a woman offering tips on how to travel alone.

“I can already give you one – get rid of anyone you’re with,” she says.

Maybe it’s because it’s the last show, or because she’s woken up, but this interview gives an indication of Paula that’s not just about the funny.

Oh, she’s still funny, but she also reveals why she wanted a llama for a pet but didn’t buy one.

“You have to buy two or else they’ll pine to death,” she says. “I could get my neighbors to pretend I don’t have one, but not two.”

When the interview is over, Paula talks with host Marc Bailey about libraries and then she gets her stuff so she can drive home. I explain to her driver how to get back to I-15, but first Paula needs something more important.

“I gotta get an Egg McMuffin.”

I walk away extra appreciative of Paula for being a trooper and when I get back to my home office, I get even better news: Ticket sales are doing even better than expected because of the media day.

Ka-ching!

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WHAT: Paula Poundstone
WHEN: Saturday, July 31st, 2010, 7:30 & 9:30pm
TICKETS: $20 – $59 BUY TICKETS
MORE INFO: Artist Profile

The legendary comic has two shows at Anthology Saturday evening

By Morgan M. Hurley | sdgln.com

SAN DIEGO – The last time Paula Poundstone was in town promoting one of her gigs, she was about to go on the air at a local news station when she and her children noticed a couple of cat carriers on set, for an animal rescue segment that immediately followed hers.

The family became smitten with the two homeless felines and brought them home, adding to a clan that is reported to be as many as 13, although she does not confirm this.

On Tuesday, San Diego Gay & Lesbian News spoke with legendary comic.

Her love of cats was the first question; motivated in part by a recent Facebook post:

Just finished a California One Care benefit. I had so much fun, but these litter boxes will bring me back to reality.

She went from rubbing elbows with the likes of her contemporary Bill Maher at the fun, star-studded event, to sifting kitty poop; and if she does indeed have 13 cats, that is quite a job to come home to.

“You can’t get too heady with power when you have cats,” she said grimly. “But they are nice to snuggle with for a movie.”

Poundstone is back in town this Saturday for two shows, at 7:30 and 9:30 p.m., at the popular restaurant/nightclub Anthology, located in Little Italy.

Spending an hour interviewing Poundstone is like buying a ticket to her show – you just better hold on to your seat. It is a non-stop adventure of anecdotes, humor and storytelling; pre-planned questions or talking points be damned.

“I love it in San Diego,” she quipped, “with all that is going on in the world, San Diego only has this Floatopia crisis.”

A decades-long staple on the comedy club circuit, Poundstone doesn’t do clubs anymore, opting for larger, performing arts venues, although she really appreciates the intimacy that Anthology offers. She recognizes that the people who come to see her these days are coming because they have seen her act in person before, or caught it on television, or she was highly recommended by someone who has.

There are generally no surprises, and she likes that.

“I’m not a blind date anymore. My shows feel more like a reunion than a cold call these days. It’s much more comfortable.”

After initially having to provide some maternal guidance to her children, the comic was ready to settle in and chat. Cats and kids are — without a doubt — her priority these days, and that is apparent not only from the first few minutes of the phone call, but also after a quick navigation of her website, where photos of her cats abound.

When asked where her unique sense of style had come from, she was eager to answer but quick to point out that she is not fond of it being described as “masculine,” as a local morning news anchor had done just a few hours before.

“Yes they are suits, but they are women’s suits,” she scoffed. “As an office manager, I’d be wearing the same thing. With a suit it is just much easier to get dressed, I’m not sure why men have complained all these years.”

She first began wearing suits and ties at a time when great fabrics were becoming all the rage and popular designers like Nicole Miller were releasing unique, brightly colored ties. A series by Miller featuring “snack foods” caught her eye one day and she was hooked.

On the road, with endless gigs scattered across multiple cities for weeks in a row, it became a no-brainer to have what she now refers to as her “uniform,” so the style stuck. It has become her signature on stage, along with a simple stool and a microphone.

Outside of the stand-up routine

In 2009 she published a book, “There’s Nothing In This Book That I Meant To Say,” that took her nine years to write. The book’s concept is so unique, Mary Tyler Moore – who eventually wrote the book’s forward – told her to keep it a secret.

“I have OCD and I just can’t stop talking about myself,” she revealed. “It’s not a bad attribute, unless you are the one stuck doing a bun-shift at one of my shows, and of course, socially it’s not good.

“I thought it was very presumptuous to write a book about myself so I decided to write a series of biographies of towering figures, and [by doing so] I tell my own.”

Each chapter starts out with the historical context of a different famous person, such as Abraham Lincoln, Beethoven, Helen Keller and Joan of Arc; but even in the midst of their larger-than-life stories, Poundstone always finds a way to shift the focus to herself, her non-stop humor not withstanding.

“The book was just so much fun to do. I had the playground of these lives,” she continued. “Even the research [for the book] was fun, although Beethoven was a little dry.”

For those wishing to indulge in a little history and comedic satire, she will have the book available for purchase at Anthology.

Poundstone is also now a regular panelist on NPR’s news quiz show called “Wait Wait, Don’t Tell Me.” The weekly radio broadcast is based on the week’s news but Poundstone doesn’t prepare for her stints on the show.

“It has to be organic. My No. 1 job is to entertain, and the funny part is the spontaneity.”

A native of Massachusetts, Poundstone currently makes her home in Santa Monica, where she lives with her three children and that clan of cats. Aside from her extensive travel schedule, life is pretty normal.

Like many Americans, she worries about the environment and has the same concerns as other mothers about her children’s safety and education, including the frustration of overpriced classroom gadgets in the days of shrinking cultural programs. In fact, she’d rather her children have a chalkboard and art and physical education over some of the pricey contraptions that are now mandatory educational expenses.

She is thankful that in her neighborhood (and anywhere), she and her kids can walk into the local Walgreens for the necessities of life without having to close it down for a private visit. That’s not to say she isn’t often approached. It would be hard to imagine that she go unrecognized, no matter what she was wearing. There just isn’t anyone else like her.

“I have really intelligent fans,” she gushed. “They recognize me and do approach me, but it is always uplifting.”

She’s been a regular on Leno, Letterman and even Carson over the years, but has always remained true to her craft and more importantly, her audience and fans.

The topic of her run-in with the law several years back did not come up during the interview, but she doesn’t side-step that period of her life in her comedy act; in fact, she often addresses it head-on, effectively shooting that elephant in the room.

Poundstone is also known for incorporating members of her audience into her act at each gig, a successful gimmick that has never gotten her into trouble; although it came very close on one particular – and quite memorable — occasion.

She was performing for then-President Bill Clinton and his wife at the Presidential Gala, held at Ford’s Theater in Washington. That very same day, Clinton had returned from a trip to Syria and shots had been fired at the White House. That shooting incident would change public access to the White House forever, and accordingly, security at the theater that night was tighter than ever.

“There was this feeling in the air – the whole notion of assassination was prevalent – and of course Ford’s Theater has a bad track record,” she ribbed.

The president and first lady were seated front and center. At some point during her set, Poundstone realized there was a camera fixated on them, recording their every move and reaction. Sensing the camera was mounted just below the stage, she quite spontaneously decided to make it part of her act.

Without prior notice or explanation, Poundstone laid down on her stomach. She then hung her head over the edge of the stage and put her face in front of the camera, just feet from the president of the United States. The audience erupted in laughter as she expected, but just as quickly, the carelessness of her actions overcame her.

“Suddenly the back of my head began to itch and I realized with all those Secret Service in the room, this was probably a very bad idea.”

She feels lucky to have entertained Clinton a few times (“I’m a huge fan,” she said) as well as other presidents.

“That is just a horrible job,” she sympathized. “I am so proud to ease [the president's] burden, even for just a few minutes, and make him laugh.”

Poundstone also looks forward to easing your burden with a few laughs this Saturday at Anthology, and on the heels of Comic-Con, she will surely bring out her own alter-ego superhero, “Wrong Mom.”

If you go

Anthology, the “fine tuned music and cuisine” venue, is located at 1337 India St., between Ash and A streets. Parking can be found in various lots surrounding the venue or on the street.

Tickets range from $20 to $59, depending upon viewing level and seat selection. There is an additional $15 food and beverage minimum per person. For tickets, call the box office at (619) 595-0300.

For more information about the venue, its award-winning menu or the performance, visit the Anthology website.

Morgan M. Hurley is the Copy Editor for SDGLN. She can be reached at (877) 727-5446, ext. 710, or via e-mail at morgan@sdgln.com.

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Via sdgln.com

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WHAT: Paula Poundstone
WHEN: Saturday, July 31st, 2010, 7:30 & 9:30pm
TICKETS: $20 – $59 BUY TICKETS
MORE INFO: Artist Profile

Maxim magazine once called Paula Poundstone the seventh worst comedian of all time—which kind of makes sense when you contrast her asexuality and penchant for roomy suits and ties with the magazine’s hyper-sexuality and penchant for impossibly hot chicks. Those of us older than, say, 40, who remember her appearances on Letterman in the ’80s, hold a warm place in our hearts for her quirky humor and dry delivery. Poundstone will be in San Diego for two shows, at 7:30 and 9:30 p.m. Saturday, July 31, at Anthology, 1337 India St. in Little Italy. Did you know that Poundstone is the national spokesperson for the Association of Library Trustees Advocates Friends & Foundations? Maybe she’ll say something hilarious about San Diego’s reliance on private donations to get a new main library built and then drop a contribution in the jar on her way out of town. Tickets range from $34 to $39. anthologysd.com, paulapoundstone.com

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Via sdcitybeat.com

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WHAT: Paula Poundstone
WHEN: Saturday, July 31st, 2010, 7:30 & 9:30pm
TICKETS: $20 – $59 BUY TICKETS
MORE INFO: Artist Profile

by Marcia Manna | FroggerDogger.com

Whenever my band performed in my hometown of Chicago, my mother would get a front row seat and watch me sing. She referred to me as “her star,” but there would be criticism, too. “Don’t screw your face up like that when you are going for those high notes,” she would advise. “You’ll scare the audience.”

The memory makes me feel a little self-righteous when I watch vocalist Rachelle Ferrell, who will perform one set tonight and two shows tomorrow at Anthology.

While many vocalists learn to camouflage the physical effort it takes to flavor and empower notes, all in the name of looking pretty and poised, Ferrell is different.

She’s what you would call a singer’s singer, a sister who twists and contorts her wide, full mouth to scat, wail and work her six-octave range to full effect.

Ferrell makes her body her instrument and because of her astounding musicality, her stage presence commands respect.
Check out the youtube clip of her performance at comic/actor Bernie Mac’s (aka Bernard Jeffrey McCullough) funeral, a celebrity-filled event in 2008 that attracted more than 5,000 mourners. Ferrell is in the spirit, pounding a white piano and leading a massive gospel choir in an emotional, call-and-response musical tribute.

Sadly, the success she so deserves has eluded her, though like many black American musicians, she has a fierce following in Europe, due in part to her numerous Montreaux Jazz Festival performances.

Born in 1961 and raised near Philadelphia, Ferrell began writing songs, playing piano and performing professionally in her teens. She attended Boston’s Berklee College of Music, co-taught music classes with Dizzy Gillespie for the New Jersey State Council on the Arts, and sang backup for recording artists such as Patti LaBelle, Vanessa Williams and George Duke.

Ferrell has a reputation for cooking up an original stew of styles by inserting the creativity of jazz improvisation into blues, R&B and pop formats.

On her 1990 Blue Note release, “First Instrument,” she bastes notes with emotion and tampers with tempo in a way that personalizes familiar standards such as Sam Cooke’s “You Send Me” or Rodgers and Hart’s “My Funny Valentine.”

In 2000, Ferrell switches gears by introducing the Capitol Records release “Individuality, (Can I Be Me?),” a funky, bass-poppin’ R&B album co-produced with George Duke. All of the songs are either written or co-written by Ferrell and here again, she infuses danceable groove numbers with a level of vocal technique that makes you wonder, ‘Who is that?”

“Music makes one feel alive,” Ferrell explained last year in a mediaprofil interview at the Montreaux Jazz Festival. “The privilege of being able to be a musician, to be an artist, comes from the privilege of being able to touch another…I don’t take it lightly. The fact that people come in to embrace me and embrace the music – it compels me to give from a place that I didn’t know I had.”

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Via FroggerDogger.com

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WHAT: Rachelle Ferrell
WHEN: Thursday, July 28th, 2010
TICKETS 7:30pm: $29 – $54 BUY TICKETS
TICKETS 9:30pm: $26 – $44 BUY TICKETS

MORE INFO: Artist Profile

Joyce Cooling‘s performance at Anthology is a Music for the Mind concert and will benefit the local San Diego chapter of NAMI (National Alliance on Mental Illness). “Just by showing up, you’ve donated and we thank you deeply!”

San Diego’s newest, premiere dining and live music establishment – Anthology, offers some of the most legendary acts on stage and in the kitchen. Located near the hip neighborhood of “Little Italy” on the southern end of India Street, Anthology marked its grand opening on June 6, 2007. Anthology comes to life in the spirit of the classic ’30s and ’40s supper clubs with a decidedly modern spin, to deliver a culturally harmonious gathering of food, music, wine and ambiance in an intimate 300 seat venue.

Anthology has become one of San Diego’s premier upscale dining rooms. On stage, Anthology plays host to renowned local and international musicians in Jazz, Classic Rock, Blues, Latin and World music. From unplugged to plugged, solo to large bands, guests can be sure they will be impressed by the exciting array of local musicians and singers. Artists who have performed include: Ramsey Lewis Arturo Sandoval, Kenny Rankin, Larry Coryell, Mose Allison, Sonny Landreth, Chick Corea and Lee Ritenour. Director of Music Operations Michael Pritchard, with more than 25 years of experience in the entertainment industry, most recently as talent buyer for Humphrey’s Backstage Club, has secured an impressive array of musical talent (see the artists list).

Anthology is the vision of Howard Berkson, CEO of Anthology and local real estate developer. “I grew up in Chicago where going out for a great meal paired with live music was part of the cultural experience… that’s what I hope to create with Anthology,” said Berkson. “San Diego as a city has matured and we’re ready for some of the visceral experiences you find in world-class cities like New York and Chicago. There’s a demographic niche here, where we’re looking to enjoy the finer things in life, like great food and terrific music – that’s Anthology.” Anthology’s sound resonates from superior acoustics throughout. Combined with a highly sophisticated state-of-the-art digital sound, video and lighting system the venue is designed as one of the finest performance environments on the West Coast. The newly constructed space was specifically designed to offer open sightlines to the stage throughout. Anthology is to quickly proving itself to be downtown’s exceptional world-class destination.

Designed by BCV Architects of San Francisco, the acclaimed 13,000 square-foot restaurant and club extends vertically to three levels including a mezzanine and VIP dining room. On the Upper Level guests enjoy indoor/outdoor spaces including the Fireside Lounge with 18 foot fireplace, outdoor Bayside Balcony and Taylor Guitars Private Dining Room. The venue also includes two state-of-the-art kitchens to accommodate both fine dining and private events. Anthology is also proud of their relationship with Taylor Guitars, a local, worldrenowned guitar manufacturer. The VIP dining room has been named in honor of this friendship. Taylor was honored to not only produce, but also contribute, the exemplary, one-of-a-kind menu covers designed after their superlative instruments using woods of their handcrafted guitars. “Taylor Guitars is honored to be part of the Anthology team. We love the concept, and since it aligns so closely with what we do, it was just a natural fit. We appreciate the chance to get involved on such a deep level, not simply as a “corporate sponsor.” We’re looking forward to a long friendship.” said Bob Taylor, co-founder of Taylor Guitars. Reservations are strongly recommended, walk-in patrons are always welcome. For dinner reservations and/or concert tickets, visit the website at www.anthologysd.com, at the Box Office or by phone at 619.595.0300. See fact sheet for additional information and contacts.

Anthology sets a new modern standard for the way people experience the pleasures of fine dining and live entertainment. Encompassing a collection of world-class cuisine, music talent and superb service in one environment – one place – one gathering. Anthology.

Anthology

1337 India St
San Diego, CA 92101
tel: 619-595-0300
August 6 · 7:30pm – 9:30pm

For tickets visit: http://www.joycecooling.com/tour.php

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Via Smooth Jazz Buzz

Rachelle Ferrell

Though she is largely obscure outside of jazz circles (particularly those connected to the festival circuit), Rachelle Ferrell is unquestionably one of the most dynamic talents in contemporary pop music. Very few vocal artists in the industry have Ferrell’s potent combination of range, phrasing, and musicianship (she is also and accomplished pianist). Such potency was made powerfully aware to Blue Note Record’s head Bruce Lundvall who first heard Ferrell on a demo tape (while driving to the supermarket) and signed her shortly thereafter in 1990 after seeing her perform in Germantown, Pennsylvania. So impressed was Lundvall with her talents, that he signed Ferrell to both the Blue Note Label and the Capitol Label allowing her to funnel her talents through the prism of traditional jazz and R&B. In short, Rachelle Ferrell’s talents transcend generic classification and Lundvall had the foresight to realize such a fact. Lundvall quickly set out to plan Ferrell’s coming out party via a showcase at the 1991 Montreux Jazz Festival. In the past, the showcase was used to introduced the talents of Dianne Reeves (also signed to both labels), Stanley Jordan, and Gonzalo Rubalcaba. Live at Montreux 91-97 captures Ferrell’s moving debut at Montreux in July of 1991 and subsequent performances at the venue throughout the decade of the 1990s. Ferrell first emerged in the states with her R&B debut Rachelle Ferrell (1992), a solid collection of self-penned originals that featured a striking duet with Will Downing (“Nothing Has Ever Felt Like This”). It was with the release of First Instrument in 1994 (recorded prior to Rachelle Ferrell) that audiences were really introduced to Ferrell’s jazz sensibilities.
Read more: http://www.myspace.com/rachelleferrell#ixzz0tnqraaaj

Reserve your seats @ Anthology San Diego

San Diego’s newest, premiere dining and live music establishment – Anthology, offers some of the most legendary acts on stage and in the kitchen. Located near the hip neighborhood of “Little Italy” on the southern end of India Street, Anthology marked its grand opening on June 6, 2007. Anthology comes to life in the spirit of the classic ’30s and ’40s supper clubs with a decidedly modern spin, to deliver a culturally harmonious gathering of food, music, wine and ambiance in an intimate 300 seat venue. Anthology has become one of San Diego’s premier upscale dining rooms. On stage, Anthology plays host to renowned local and international musicians in Jazz, Classic Rock, Blues, Latin and World music. From unplugged to plugged, solo to large bands, guests can be sure they will be impressed by the exciting array of local musicians and singers.

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Via resort2010.wordpress.com

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WHAT: Rachelle Ferrell
WHEN: Wednesday, July 28th, 2010, 7:30pm
TICKETS: $36 – $54 BUY TICKETS
MORE INFO: Artist Profile

By GEORGE VARGA | SignOnSanDiego.com

Being very gifted and versatile can be a creative blessing and a commercial curse. Witness singer, pianist, songwriter and bandleader Rachelle Ferrell, ?who might be a star today had she focused only on jazz or only on R&B. By distinguishing herself in both fields, artistically speaking, this Philadelphia native — who appears here Wednesday and Thursday ?at Little Italy’s all-ages Anthology — has never gained the traction she deserves in either idiom, careerwise.

Ferrell, 49, is a classically trained violinist, and her multi-octave voice and agile delivery earned her praise from bebop trumpet icon Dizzy Gillespie ?when she was not yet 20. A former classmate of saxophonist Branford Marsalis and guitarist Kevin Eubanks at Boston’s Berklee ?College of Music, she worked early on with everyone from Lou Rawls and Patti LaBelle ?to Quincy Jones and George Benson.

Her promising 1990 U.S. debut album, “First Instrument,” featured such stellar artists as saxophonist Wayne Shorter and bassist Stanley Clarke.

But Ferrell has only released three albums since then, the most recent in 2002, and her new website is currently under construction.

This may not bode well for her as a recording artist in a digital age. Fortunately, her live shows continue to offer the best opportunity to hear exactly what Ferrell can do, whether she’s essaying jazz classics, sultry soul ballads or charged gospel rave-ups.

Ticket prices for the week’s shows range from $10 to $36 for each of her three performances.

Information: anthologysd.com; (619) 595-0300.

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Via SignOnSanDiego.com

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WHAT: Rachelle Ferrell
WHEN: Wednesday, July 28th, 2010, 7:30pm
TICKETS: $36 – $54 BUY TICKETS
MORE INFO: Artist Profile

A jazz singer with a range spanning six octaves, Rachelle Ferrell belts, murmurs, even sings super-high whistle notes—sometimes in single phrases. Let’s hope the big screen onstage gives us a better look at her mouth’s amazing expressions during what I’m expecting will be a breathtaking performance. (She’s also playing Thursday, July 29.)

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Via sdcitybeat.com

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WHAT: Rachelle Ferrell
WHEN: Wednesday, July 28th, 2010, 7:30pm
TICKETS: $36 – $54 BUY TICKETS
MORE INFO: Artist Profile

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WHAT: Paula Poundstone
WHEN: Saturday, July 31st, 2010, 7:30 & 9:30pm
TICKETS: $20 – $59 BUY TICKETS
MORE INFO: Artist Profile

by Morgan Meyer

Comedian Paula Poundstone stopped by Good Morning San Diego to promote her stand up show this Saturday, downtown at Anthology.

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WHAT: Paula Poundstone
WHEN: Saturday, July 31st, 2010, 7:30 & 9:30pm
TICKETS: $20 – $59 BUY TICKETS
MORE INFO: Artist Profile